Maya Angelou - Refusal and Rudyard Kipling - Seal Lullaby

Maya Angelou - Refusal

Beloved, In what other lives or lands. Have I known your lips. Your Hands Your Laughter brave. Irreverent. Those sweet excesses that. I do adore. ...

Rudyard Kipling - Seal Lullaby

Oh! hush thee, my baby, the night is behind us. And black are the waters that sparkled so green. The moon, O'er the combers, looks downward to find us ...


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Maya Angelou - Momma Welfare Roll

Maya Angelou - Momma Welfare Roll

Her arms semaphore fat triangles, Pudgy HANDS bunched on layered hips. Where bones idle under years of fatback. And lima beans. ...

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Victor James Daley- John Milton Hayes Poems

Victor James Daley Poems

Akbar's Bridge. Rudyard Kipling · As Adam, Early In The Morning. Walt Whitman · As Toilsome I Wander'd. Walt Whitman · Demon and Beast. William Butler Yeats ...


John Milton Hayes Poems

Akbar's Bridge. Rudyard Kipling · Alone. Sara Teasdale · As Toilsome I Wander'd. Walt Whitman · Demon and Beast. William Butler Yeats ...

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So Minh Tiep will receive information about her palace on Sunday this week that surprised many people.Friday,

June 10, 2011 According to a source close, Minh Tiep will float up at noon on 12 / 6 here. A long time he dug the flowers of the Vietnam Cinematography by sensational romance with pretty much the same for you: Quynh Nga, Minh Ha, Vi Cam, Jenifer Pham ... and the latest is Chinese actress Dinh Dinh Can . So Minh Tiep will receive information about her palace on Sunday this week that surprised many people.

After the emotional grove luxuriant, Minh Tiep recently shared very frankly: "I want a wife who is not normally associated with art, a true wife, a mother of children, a woman know to care for the family kitchen. I vaguely feudal when a wife does not want too modern. I do not need that high-income people, communication, or too wide success. "

After learning, we know, his fiancée of Minh Tiep is a candidate entered the final round last HHVN 2010, named Pham Thuy Duong. Thuy Duong was born in 1990, owns impressive 1m69 tall and beautiful face. Back from the competition HHVN 2010, though not in the top, but Thuy Duong still get people impressed by a beautiful face and very fresh. Currently, Thuy Duong not participate in any entertainment field does.

Earlier, the film makers use natural capital Huyen had many meetings with VTV.

Save Success child actor plays the small time of Ly Cong Uan, Ly Cong Uan film - Road to the Thang Long - Photos provided Truong Thanh Company

Originally exchange by telephone, said Tran Binh Minh, explained: "Schedule film Ly Cong Uan - the Thang Long Road to 30-6 on a plan made by VTV and producers agreed, signed from last year. But now decide to pause VTV plans to film in time and will consider a more appropriate time to broadcast the film. "So, once again the drama of socialization of historical broadcast schedule will be back.

Huyen on the use of natural capital cases to show or pause, Tran Binh Minh said: "We are still negotiating to try to continue to show this film. The film not only be 20 episodes due to content, but because of economic contracts may finally come to the agreement. Schedule particular we will continue to inform the audience. "

Earlier, the film makers use natural capital Huyen had many meetings with VTV. According to director Dang Tat Binh, the filmmakers have completed 22 episodes and is in turn delivered to VTV for acceptance.

James Hebblethwaite - John Greenleaf Whittier Poems

James Hebblethwaite Poems

Famous Poems › Poems › James Hebblethwaite. Find Poetry. poem titles. search. Advanced search. poet names. Most Popular Poets. William Shakespeare ...


John Greenleaf Whittier Poems

"The Rock" In El Ghor · A Christmas Carmen · A Day · A Dream Of Summer · A Greeting · A Lament · A Lay Of Old Time · A Legacy · A Letter · A Memorial ...

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Nizar Qabbani - Maya Angelou Poems

Nizar Qabbani Poems

Akbar's Bridge. Rudyard Kipling · Alone. Sara Teasdale · As Toilsome I Wander'd. Walt Whitman · Demon and Beast. William Butler Yeats ...

Maya Angelou Poems

Akbar's Bridge. Rudyard Kipling · As Adam, Early In The Morning. Walt Whitman · As Toilsome I Wander'd. Walt Whitman · Demon and Beast. William Butler Yeats ...

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William Shakespeare- Washington Irving Poems

William Shakespeare Poems

A Lover's Complaint · The Passionate Pilgrim · The Phoenix and the Turtle · The Rape of Lucrece · The Sonnets C - Where art thou Muse that thou forget'st so ...


Washington Irving Poems

A Chronicle Of Wolfert's Roost - Prose · A Legend Of Communipaw - Prose · A Royal Poet - Prose · A Sunday In London - Prose · Christmas - Prose ...

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Walt Whitman - Rudyard Kipling Poems

Rudyard Kipling Poems

"Birds Of Prey" March · A Ballad Of Jakkko Hill · A Ballade Of Burial · A Bank Fraud · A Boy Scouts' Patrol Song · A British-Roman Song · A Carol · A Charm ...

Walt Whitman Poems

Browse all 389 Walt Whitman poems below. 1861 · A Boston Ballad, 1854 · A Broadway Pageant · A Carol Of Harvest, For 1867 · A Child Said, What Is The Grass? ...

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Bookmarks - Popular Poems

Famous-Poems.org - Bookmarks

Your Private Poetry Collection. Below is a list of all the poems you saved while browsing our library. To save poetry to your Bookmarks, click the "Save ...


Most Popular Poems

Our Top 100 List of Famous Poetry. Part of our project is to gather a list of the world's most enjoyed poetry. In order to do this, we have provided a way ...

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Terms Quiz - World's Favorite Poetry

Famous-Poems.org - Your Source of the World's Favorite Poetry

Browse our huge library of Shakespeare, William Yeats, Walt Whitman, and many more! Thousands of poems are freely available for your reading enjoyment.

Poetry Terms Quiz

Take our fun Poetry Quiz, and see how you fare among our other quiz takers.

examples poetry

Poem--Friendship, Love and Fear by Kathryn Lim

friendship; a dance on the razor's edge
feelings; tender like the silken clouds
words, unpredictable like the dancer's steps

what is friendship
perhaps i don't know
what is love
perhaps i don't know
but surely this is a great place to start the ride

fear kept me from loving
loving kept me from fear
I love in order to die and surrender
I die in order to love and let go
i notice myself asking what is going on
things becoming less and less significant
i become more and more vulnerable
you came along my way in an angel's form
receiving me just as i am
painting the possibilities of life
adding colors onto the canvas of my heart
vulnerability became my friend
you became my vulnerability



Christina Rossetti - Cousin Kate poem

I was a cottage maiden
Hardened by sun and air
Contented with my cottage mates,
Not mindful I was fair.
Why did a great lord find me out,
And praise my flaxen hair?
Why did a great lord find me out,
To fill my heart with care?

He lured me to his palace home -
Woe's me for joy thereof-
To lead a shameless shameful life,
His plaything and his love.
He wore me like a silken knot,
He changed me like a glove;
So now I moan, an unclean thing,
Who might have been a dove.

O Lady kate, my cousin Kate,
You grew more fair than I:
He saw you at your father's gate,
Chose you, and cast me by.
He watched your steps along the lane,
Your work among the rye;
He lifted you from mean estate
To sit with him on high.

Because you were so good and pure
He bound you with his ring:
The neighbors call you good and pure,
Call me an outcast thing.
Even so I sit and howl in dust,
You sit in gold and sing:
Now which of us has tenderer heart?
You had the stronger wing.

O cousin Kate, my love was true,
Your love was writ in sand:
If he had fooled not me but you,
If you stood where I stand,
He'd not have won me with his love
Nor bought me with his land;
I would have spit into his face
And not have taken his hand.

Yet I've a gift you have not got,
And seem not like to get:
For all your clothes and wedding-ring
I've little doubt you fret.
My fair-haired son, my shame, my pride,
Cling closer, closer yet:
Your father would give his lands for one
To wear his coronet.

William Butler Yeats - Peace

Ah, that Time could touch a form
That could show what Homer's age
Bred to be a hero's wage.
‘Were not all her life but storm,
Would not painters paint a form
Of such noble lines' I said,
‘Such a delicate high head,
All that sternness amid charm,
All that sweetness amid strength?'
Ah, but peace that comes at length,
Came when Time had touched her form

Nizar Qabbani - Clarification to My Poetry-Readers poem

And of me say the fools:
I entered the lodges of women
And never left.
And they call for my hanging,
Because about the matters of my beloved
I, poetry, compose.
I never traded
Like others
In Hashish.
I never stole.
I never killed.
I, in broad day, have loved.
Have I sinned?

And of me say the fools:
With my poetry
I violated the sky's commands.
Said who
Love is
The honor-ravager of the sky?
The sky is my intimate.
It cries if I cry,
Laughs if I laugh
And its stars
Greatens their brilliance
If
One day I fall in love.
What so
If in the name of my beloved I chant,
And like a chestnut tree
In every capital I, her, plant.

Fondness will remain my calling,
Like all prophets.
And infancy, innocence
And purity.
I will write of my beloved's matters
Till I melt her golden hair
In the sky's gold.
I am,
And I hope I change not,
A child
Scribbling on the stars' walls
The way he pleases,
Till the worth of love
In my homeland
Matches that of the air,
And to love dreamers I become
A diction-ary,
And over their lips I become
An A
And a B.

Rudyard Kipling - Tommy

I went into a public-'ouse to get a pint o' beer,
The publican 'e up an' sez, "We serve no red-coats here."
The girls be'ind the bar they laughed an' giggled fit to die,
I outs into the street again an' to myself sez I:
O it's Tommy this, an' Tommy that, an' "Tommy, go away";
But it's "Thank you, Mister Atkins", when the band begins to play,
The band begins to play, my boys, the band begins to play,
O it's "Thank you, Mister Atkins", when the band begins to play.

I went into a theatre as sober as could be,
They gave a drunk civilian room, but 'adn't none for me;
They sent me to the gallery or round the music-'alls,
But when it comes to fightin', Lord! they'll shove me in the stalls!
For it's Tommy this, an' Tommy that, an' "Tommy, wait outside";
But it's "Special train for Atkins" when the trooper's on the tide,
The troopship's on the tide, my boys, the troopship's on the tide,
O it's "Special train for Atkins" when the trooper's on the tide.

Yes, makin' mock o' uniforms that guard you while you sleep
Is cheaper than them uniforms, an' they're starvation cheap;
An' hustlin' drunken soldiers when they're goin' large a bit
Is five times better business than paradin' in full kit.
Then it's Tommy this, an' Tommy that, an' "Tommy, 'ow's yer soul?"
But it's "Thin red line of 'eroes" when the drums begin to roll,
The drums begin to roll, my boys, the drums begin to roll,
O it's "Thin red line of 'eroes" when the drums begin to roll.

We aren't no thin red 'eroes, nor we aren't no blackguards too,
But single men in barricks, most remarkable like you;
An' if sometimes our conduck isn't all your fancy paints,
Why, single men in barricks don't grow into plaster saints;
While it's Tommy this, an' Tommy that, an' "Tommy, fall be'ind",
But it's "Please to walk in front, sir", when there's trouble in the wind,
There's trouble in the wind, my boys, there's trouble in the wind,
O it's "Please to walk in front, sir", when there's trouble in the wind.

You talk o' better food for us, an' schools, an' fires, an' all:
We'll wait for extry rations if you treat us rational.
Don't mess about the cook-room slops, but prove it to our face
The Widow's Uniform is not the soldier-man's disgrace.
For it's Tommy this, an' Tommy that, an' "Chuck him out, the brute!"
But it's "Saviour of 'is country" when the guns begin to shoot;
An' it's Tommy this, an' Tommy that, an' anything you please;
An' Tommy ain't a bloomin' fool, you bet that Tommy sees!

Matthew Arnold - The Forsaken Merman poem

Come, dear children, let us away;
Down and away below!
Now my brothers call from the bay,
Now the great winds shoreward blow,
Now the salt tides seaward flow;
Now the wild white horses play,
Champ and chafe and toss in the spray.
Children dear, let us away!
This way, this way!

Call her once before you go
Call once yet!
In a voice that she will know:
"Margaret! Margaret!"
Children's voices should be dear
(Call once more) to a mother's ear;

Children's voices, wild with pain
Surely she will come again!
Call her once and come away;
This way, this way!
"Mother dear, we cannot stay!
The wild white horses foam and fret."
Margaret! Margaret!

Come, dear children, come away down;
Call no more!
One last look at the white-wall'd town
And the little grey church on the windy shore,
Then come down!
She will not come though you call all day;
Come away, come away!

Children dear, was it yesterday
We heard the sweet bells over the bay?
In the caverns where we lay,
Through the surf and through the swell,
The far-off sound of a silver bell?
Sand-strewn caverns, cool and deep,
Where the winds are all asleep;
Where the spent lights quiver and gleam,
Where the salt weed sways in the stream,
Where the sea-beasts, ranged all round,
Feed in the ooze of their pasture-ground;
Where the sea-snakes coil and twine,
Dry their mail and bask in the brine;
Where great whales come sailing by,
Sail and sail, with unshut eye,
Round the world for ever and aye?
When did music come this way?
Children dear, was it yesterday?

Children dear, was it yesterday
(Call yet once) that she went away?
Once she sate with you and me,
On a red gold throne in the heart of the sea,
And the youngest sate on her knee.
She comb'd its bright hair, and she tended it well,
When down swung the sound of a far-off bell.
She sigh'd, she look'd up through the clear green sea;
She said: "I must go, to} my kinsfolk pray
In the little grey church on the shore to-day.
'T#will be Easter-time in the world ah me!
And I lose my poor soul, Merman! here with thee."
I said: "Go up, dear heart, through the waves;
Say thy prayer, and come back to the kind sea-caves!"
She smiled, she went up through the surf in the bay.
Children dear, was it yesterday?

Children dear, were we long alone?
"The sea grows stormy, the little ones moan;
Long prayers," I said, "in the world they say;
Come!" I said; and we rose through the surf in the bay.
We went up the beach, by the sandy down
Where the sea-stocks bloom, to the white-wall'd town;
Through the narrow paved streets, where all was still,
To the little grey church on the windy hill.
From the church came a murmur of folk at their prayers,
But we stood without in the cold blowing airs.
We climb'd on the graves, on the stones worn with rains,
And we gazed up the aisle through the small leaded panes.
She sate by the pillar; we saw her clear:
"Margaret, hist! come quick, we are here!
Dear heart," I said, "we are long alone;
The sea grows stormy, the little ones moan."
But, ah, she gave me never a look,
For her eyes were seal'd to the holy book!
Loud prays the priest; shut stands the door.
Come away, children, call no more!
Come away, come down, call no more!

Down, down, down!
Down to the depths of the sea!
She sits at her wheel in the humming town,
Singing most joyfully.
Hark what she sings: "O joy, O joy,
For the humming street, and the child with its toy!
For the priest, and the bell, and the holy well;
For the wheel where I spun,
And the blessed light of the sun!"
And so she sings her fill,
Singing most joyfully,
Till the spindle drops from her hand,
And the whizzing wheel stands still.
She steals to the window, and looks at the sand,
And over the sand at the sea;
And her eyes are set in a stare;
And anon there breaks a sigh,
And anon there drops a tear,
From a sorrow-clouded eye,
And a heart sorrow-laden,
A long, long sigh;
For the cold strange eyes of a little Mermaiden
And the gleam of her golden hair.

Come away, away children
Come children, come down!
The hoarse wind blows coldly;
Lights shine in the town.
She will start from her slumber
When gusts shake the door;
She will hear the winds howling,
Will hear the waves roar.
We shall see, while above us
The waves roar and whirl,
A ceiling of amber,
A pavement of pearl.
Singing: "Here came a mortal,
But faithless was she!
And alone dwell for ever
The kings of the sea."

But, children, at midnight,
When soft the winds blow,
When clear falls the moonlight,
When spring-tides are low;
When sweet airs come seaward
From heaths starr'd with broom,
And high rocks throw mildly
On the blanch'd sands a gloom;
Up the still, glistening beaches,
Up the creeks we will hie,
Over banks of bright seaweed
The ebb-tide leaves dry.
We will gaze, from the sand-hills,
At the white, sleeping town;
At the church on the hill-side
And then come back down.
Singing: "There dwells a loved one,
But cruel is she!
She left lonely for ever
The kings of the sea."

Edward Dyson - Hello, Soldier! poem

Back again 'n' nothin' missin' barrin' arf a hand,
Where an Abdul bit me, chokin' in the Holy Land.
'Struth, they got some dirty fighters in the Moslem pack,
Bull-nosed slugs their sneakin' snipers spatters in yer back
Blows a gapin' sort iv pit in
What a helephant could sit in.
Bounced their bullets, if yeh please,
Like the 'oppers in a cheese,
Off me rubber pelt in droves,
Moppin' up the other coves.
So here's me once more at large in
Bay-street, Port, a bloomin' Sargin'.
“Cri, it jumbo.” “Have a beer.”
“Wot-o, Anzac; you're a dear.”

Back once more on Moley's corner, loafin' like a dook;
Back on Bourke, me livin' image, not a slinkin' spook;
Solid ez the day I started, medals on me chest,
Switchin' with me pert melacca, swankin' with the best
Where the little wimmen's flowin',
With their veils 'n' ribbons blowin'
See their eyes of bloo 'n' brown
Butterflyin' 'bout the town!
Back at 'ome-oh, 'struth, it's good!
Long, cold lagers from the wood,
Ev'ry cobber jumpin' at you,
Strangers duckin' in to bat you
“Good ole Jumbo, how're you?”
“'Ello, soldier, howja do?”

Back at Grillo's where the nigger googs his whitey eyes,
Plucks his black ole greasy banjo while the cod-steak fries;
Fish 'n' chips, a pint iv local, and the tidy girl
Dancin' glad attendance on yeh 'zif yeh was an earl;
Trailin' round the blazin' city,
Feelin' all content 'n' pretty,
Where the smart procession goes,
Prinked 'n' polished to the shows,
One among the happy drive-
'Sworth the world to be alive!
Dames ez smilin' ez a mother,
Ev'ry man ver fav'rit brother:
“'Ello, Jumbo, how is it ?”
“Arr there, soldier! Good 'n' fit?”

Takin' hozone at St. Kilder's good enough for me,
Seein' Summer and the star-blink simmer in the sea;
Cantin' up me bloomin' cady, toyin' with a cig.,
Blowin' out me pout a little, chattin' wide 'n' big
When there's skirt around to skite to.
Say, 'oo has a better right to?
Done me bit 'n' done it well,
Got the tag iv plate to tell;
Square Gallipoli surviver,
With a touch iv Colonel's guyver.
“Sargin' Jumbo, good ole son!”
“Soldier, soldier, you're the one!”

Back again, a wounded hero, moochin' up 'n' down,
Feelin' 'sthough I'd got a fond arf-Nelson on the town;
Never was so gay, so 'elp me, never felt so kind;
Fresh from 'ell a paradise ain't very hard to find.
After filth, 'n' flies, 'n' slaughter
Fat brown babies in the water,
Singin' people on the sand
Makes a boshter Happy Land!
War what toughened hone 'n' hide
Turned a feller soft inside!
Great it is, the 'earty greetin's,
Friendly digs, 'n' cheerful meetin's
“'Ello, Jumbo, howja do?”
“Soldier, soldier, how're you?”

Maya Angelou - Woman Work poem

I've got the children to tend
The clothes to mend
The floor to mop
The food to shop
Then the chicken to fry
The baby to dry
I got company to feed
The garden to weed
I've got shirts to press
The tots to dress
The can to be cut
I gotta clean up this hut
Then see about the sick
And the cotton to pick.

Shine on me, sunshine
Rain on me, rain
Fall softly, dewdrops
And cool my brow again.

Storm, blow me from here
With your fiercest wind
Let me float across the sky
'Til I can rest again.

Fall gently, snowflakes
Cover me with white
Cold icy kisses and
Let me rest tonight.

Sun, rain, curving sky
Mountain, oceans, leaf and stone
Star shine, moon glow
You're all that I can call my own.

Samuel Taylor Coleridge - The Nightingale poetry

No cloud, no relique of the sunken day
Distinguishes the West, no long thin slip
Of sullen light, no obscure trembling hues.
Come, we will rest on this old mossy bridge!
You see the glimmer of the stream beneath,
But hear no murmuring: it flows silently.
O'er its soft bed of verdure. All is still.
A balmy night! and though the stars be dim,
Yet let us think upon the vernal showers
That gladden the green earth, and we shall find
A pleasure in the dimness of the stars.
And hark! the Nightingale begins its song,
'Most musical, most melancholy' bird!
A melancholy bird? Oh! idle thought!
In Nature there is nothing melancholy.
But some night-wandering man whose heart was pierced
With the remembrance of a grievous wrong,
Or slow distemper, or neglected love,
(And so, poor wretch! filled all things with himself,
And made all gentle sounds tell back the tale
Of his own sorrow) he, and such as he,
First named these notes a melancholy strain.
And many a poet echoes the conceit;
Poet who hath been building up the rhyme
When he had better far have stretched his limbs
Beside a brook in mossy forest-dell,
By sun or moon-light, to the influxes
Of shapes and sounds and shifting elements
Surrendering his whole spirit, of his song
And of his fame forgetful! so his fame
Should share in Nature's immortality,
A venerable thing! and so his song
Should make all Nature lovelier, and itself
Be loved like Nature! But 'twill not be so;
And youths and maidens most poetical,
Who lose the deepening twilights of the spring
In ball-rooms and hot theatres, they still
Full of meek sympathy must heave their sighs
O'er Philomela's pity-pleading strains.

My Friend, and thou, our Sister! we have learnt
A different lore: we may not thus profane
Nature's sweet voices, always full of love
And joyance! 'Tis the merry Nightingale
That crowds and hurries, and precipitates
With fast thick warble his delicious notes,
As he were fearful that an April night
Would be too short for him to utter forth
His love-chant, and disburthen his full soul
Of all its music!
And I know a grove
Of large extent, hard by a castle huge,
Which the great lord inhabits not; and so
This grove is wild with tangling underwood,
And the trim walks are broken up, and grass,
Thin grass and king-cups grow within the paths.
But never elsewhere in one place I knew
So many nightingales; and far and near,
In wood and thicket, over the wide grove,
They answer and provoke each other's song,
With skirmish and capricious passagings,
And murmurs musical and swift jug jug,
And one low piping sound more sweet than all
Stirring the air with such a harmony,
That should you close your eyes, you might almost
Forget it was not day! On moonlight bushes,
Whose dewy leaflets are but half-disclosed,
You may perchance behold them on the twigs,
Their bright, bright eyes, their eyes both bright and full,
Glistening, while many a glow-worm in the shade
Lights up her love-torch.
A most gentle Maid,
Who dwelleth in her hospitable home
Hard by the castle, and at latest eve
(Even like a Lady vowed and dedicate
To something more than Nature in the grove)
Glides through the pathways; she knows all their notes,
That gentle Maid! and oft, a moment's space,
What time the moon was lost behind a cloud,
Hath heard a pause of silence; till the moon
Emerging, a hath awakened earth and sky
With one sensation, and those wakeful birds
Have all burst forth in choral minstrelsy,
As if some sudden gale had swept at once
A hundred airy harps! And she hath watched
Many a nightingale perch giddily
On blossomy twig still swinging from the breeze,
And to that motion tune his wanton song
Like tipsy Joy that reels with tossing head.

Farewell! O Warbler! till tomorrow eve,
And you, my friends! farewell, a short farewell!
We have been loitering long and pleasantly,
And now for our dear homes.That strain again!
Full fain it would delay me! My dear babe,
Who, capable of no articulate sound,
Mars all things with his imitative lisp,
How he would place his hand beside his ear,
His little hand, the small forefinger up,
And bid us listen! And I deem it wise
To make him Nature's play-mate. He knows well
The evening-star; and once, when he awoke
In most distressful mood (some inward pain
Had made up that strange thing, an infant's dream)
I hurried with him to our orchard-plot,
And he beheld the moon, and, hushed at once,
Suspends his sobs, and laughs most silently,
While his fair eyes, that swam with undropped tears,
Did glitter in the yellow moon-beam! Well!
It is a father's tale: But if that Heaven
Should give me life, his childhood shall grow up
Familiar with these songs, that with the night
He may associate joy. Once more, farewell,
Sweet Nightingale! once more, my friends! farewell.

Edgar Allan Poe - For Annie poem

Thank Heaven! the crisis,
The danger is past,
And the lingering illness
Is over at last,
And the fever called "Living"
Is conquered at last.

Sadly, I know
I am shorn of my strength,
And no muscle I move
As I lie at full length,
But no matter! I feel
I am better at length.

And I rest so composedly,
Now, in my bed
That any beholder
Might fancy me dead,
Might start at beholding me,
Thinking me dead.

The moaning and groaning,
The sighing and sobbing,
Are quieted now,
With that horrible throbbing
At heart:- ah, that horrible,
Horrible throbbing!

The sickness- the nausea,
The pitiless pain,
Have ceased, with the fever
That maddened my brain,
With the fever called "Living"
That burned in my brain.

And oh! of all tortures
That torture the worst
Has abated, the terrible
Torture of thirst
For the naphthaline river
Of Passion accurst:-
I have drunk of a water
That quenches all thirst:-

Of a water that flows,
With a lullaby sound,
From a spring but a very few
Feet under ground,
From a cavern not very far
Down under ground.

And ah! let it never
Be foolishly said
That my room it is gloomy
And narrow my bed;
For man never slept
In a different bed,
And, to sleep, you must slumber
In just such a bed.

My tantalized spirit
Here blandly reposes,
Forgetting, or never
Regretting its roses,
Its old agitations
Of myrtles and roses:

For now, while so quietly
Lying, it fancies
A holier odor
About it, of pansies,
A rosemary odor,
Commingled with pansies,
With rue and the beautiful
Puritan pansies.

And so it lies happily,
Bathing in many
A dream of the truth
And the beauty of Annie,
Drowned in a bath
Of the tresses of Annie.

She tenderly kissed me,
She fondly caressed,
And then I fell gently
To sleep on her breast,
Deeply to sleep
From the heaven of her breast.

When the light was extinguished,
She covered me warm,
And she prayed to the angels
To keep me from harm,
To the queen of the angels
To shield me from harm.

And I lie so composedly,
Now, in my bed,
(Knowing her love)
That you fancy me dead,
And I rest so contentedly,
Now, in my bed,
(With her love at my breast)
That you fancy me dead,
That you shudder to look at me,
Thinking me dead.

But my heart it is brighter
Than all of the many
Stars in the sky,
For it sparkles with Annie,
It glows with the light
Of the love of my Annie,
With the thought of the light
Of the eyes of my Annie.

Samuel Taylor Coleridge - Fragment, (The body) poems

The body,
Eternal Shadow of the finite Soul,
The Soul's self-symbol, its image of itself.
Its own yet not itself

Samuel Taylor Coleridge - A Mathematical Problem (A humorous student-days poem on geometry) poem

If Pegasus will let thee only ride him, Spurning my clumsy efforts to o'erstride him, Some fresh expedient the Muse will try, And walk on stilts, although she cannot fly.

TO THE REV. GEORGE COLERIDGE

Dear Brother,
I have often been surprized, that Mathematics, the quintessence of Truth, should have found admirers so few and so languid. - Frequent consideration and minute scrutiny have at length unravelled the cause - viz. - that though Reason is feasted, Imagination is starved; whilst Reason is luxuriating in it's proper Paradise, Imagination is wearily travelling on a dreary desart. To assist Reason by the stimulus of Imagination is the design of the following production. In the execution of it much may be objectionable. The verse (particularly in the introduction of the Ode) may be accused of unwarrantable liberties; but they are liberties equally homogeneal with the exactness of Mathematical disquisition, and the boldness of Pindaric daring. I have three strong champions to defend me against the attacks of Criticism: the Novelty, the Difficulty, and the Utility of the Work. I may justly plume myself, that I first have drawn the Nymph Mathesis from the visionary caves of Abstracted Idea, and caused her to unite with Harmony. The first-born of this Union I now present to you: with interested motives indeed - as I expect to receive in return the more valuable offspring of your Muse -
Thine ever,
S. T. C.

[Christ's Hospital,] March 31, 1791.

This is now - this was erst,
Proposition the first, and Problem the first.

I

On a given finite Line
Which must no way incline;
To describe an equi,
- lateral Tri -
- A, N, G, L, E.
Now let A. B.
Be the given line
Which must no way incline;
The great Mathematician
Makes this Requisition,
That we describe an Equi -
- lateral Tri -
- angle on it:
Aid us, Reason - aid us, Wit!

II

From the centre A. at the distance A. B.
Describe the circle B. C. D.
At the distance B. A. from B. the centre
The round A. C. E. to describe boldly venture.
(Third Postulate see.)
And from the point C.
In which the circles make a pother
Cutting and slashing one another,
Bid the straight lines a journeying go,
C. A., C. B. those lines will show.
To the points, which by A. B. are reckon'd,
And postulate the second
For Authority ye know.
A. B. C.
Triumphant shall be
An Equilateral Triangle,
Not Peter Pindar carp, not Zoilus can wrangle.

III

Because the point A. is the centre
Of the circular B. C. D.
And because the point B. is the centre
Of the circular A. C. E.
A. C. to A. B. and B. C. to B. A.
Harmoniously equal for ever must stay;
Then C. A. and B. C.
Both extend the kind hand
To the basis, A. B.
Unambitiously join'd in Equality's Band.
But to the same powers, when two powers are equal,
My mind forbodes the sequel;
My mind does some celestial impulse teach,
And equalises each to each.
Thus C. A. with B. C. strikes the same sure alliance,
That C. A. and B. C. had with A. B. before;
And in mutual affiance,
None attempting to soar
Above another,
The unanimous three
C. A. and B. C. and A. B.
All are equal, each to his brother,
Preserving the balance of power so true:
Ah! the like would the proud Autocratorix do!
At taxes impending not Britain would tremble,
Nor Prussia struggle her fear to dissemble;
Nor the Mah'met-sprung Wight,
The great Mussulman
Would stain his Divan
With Urine the soft-flowing daughter of Fright.

IV

But rein your stallion in, too daring Nine!
Should Empires bloat the scientific line?
Or with dishevell'd hair all madly do ye run
For transport that your task is done?
For done it is - the cause is tried!
And Proposition, gentle Maid,
Who soothly ask'd stern Demonstration's aid,
Has prov'd her right, and A. B. C.
Of Angles three
Is shown to be of equal side;
And now our weary steed to rest in fine,
'Tis rais'd upon A. B. the straight, the given line.

Washington Irving - A Sunday In London - Prose poem

In a preceding paper I have spoken of an English Sunday in the country and its tranquillizing effect upon the landscape; but where is its sacred influence more strikingly apparent than in the very heart of that great Babel, London? On this sacred day the gigantic monster is charmed into repose. The intolerable din and struggle of the week are at an end. The shops are shut. The fires of forges and manufactories are extinguished, and the sun, no longer obscured by murky clouds of smoke, pours down a sober yellow radiance into the quiet streets. The few pedestrians we meet, instead of hurrying forward with anxious countenances, move leisurely along; their brows are smoothed from the wrinkles of business and care; they have put on their Sunday looks and Sunday manners with their Sunday clothes, and are cleansed in mind as well as in person.

And now the melodious clangor of bells from church towers summons their several flocks to the fold. Forth issues from his mansion the family of the decent tradesman, the small children in the advance; then the citizen and his comely spouse, followed by the grown-up daughters, with small morocco-bound prayer-books laid in the folds of their pocket-handkerchiefs. The housemaid looks after them from the window, admiring the finery of the family, and receiving, perhaps, a nod and smile from her young mistresses, at whose toilet she has assisted.

Now rumbles along the carriage of some magnate of the city, peradventure an alderman or a sheriff, and now the patter of many feet announces it procession of charity scholars in uniforms of antique cut, and each with a prayer-book under his arm.

The ringing of bells is at an end; the rumbling of the carriage has ceased; the pattering of feet is heard no more; the flocks are folded in ancient churches, cramped up in by-lanes and corners of the crowded city, where the vigilant beadle keeps watch, like the shepherd's dog, round the threshold of the sanctuary. For a time everything is hushed, but soon is heard the deep, pervading sound of the organ, rolling and vibrating through the empty lanes and courts, and the sweet chanting of the choir making them resound with melody and praise. Never have I been more sensible of the sanctifying effect of church music than when I have heard it thus poured forth, like a river of joy, through the inmost recesses of this great metropolis, elevating it, as it were, from all the sordid pollutions of the week, and bearing the poor world-worn soul on a tide of triumphant harmony to heaven.

The morning service is at an end. The streets are again alive with the congregations returning to their homes, but soon again relapse into silence. Now comes on the Sunday dinner, which, to the city tradesman, is a meal of some importance. There is more leisure for social enjoyment at the board. Members of the family can now gather together, who are separated by the laborious occupations of the week. A school-boy may be permitted on that day to come to the paternal home; an old friend of the family takes his accustomed Sunday seat at the board, tells over his well-known stories, and rejoices young and old with his well-known jokes.

On Sunday afternoon the city pours forth its lesions to breathe the fresh air and enjoy the sunshine of the parks and rural environs. Satirists may say what they please about the rural enjoyments of a London citizen on Sunday, but to me there is something delightful in beholding the poor prisoner of the crowded and dusty city enabled thus to come forth once a week and throw himself upon the green bosom of nature. He is like a child restored to the mother's breast; and they who first spread out these noble parks and magnificent pleasure-grounds which surround this huge metropolis have done at least as much for its health and morality as if they had expended the amount of cost in hospitals, prisons, and penitentiaries.

Rudyard Kipling - A St. Helena Lullaby poem

"A Priest in Spite of Himself"

"How far is St. Helena from a little child at play!"
What makes you want to wander there with all the world between.
Oh, Mother, call your son again or else he'll run away.
(No one thinks of winter when the grass is green!)

"How far is St. Helena from a fight in Paris street?"
I haven't time to answer now, the men are falling fast.
The guns begin to thunder, and the drums begin to beat.
(If you take the first step, you will take the last!)

"How far is St. Helena from the field of Austerlitz?"
You couldn't hear me if I told, so loud the cannons roar.
But not so far for people who are living by their wits.
("Gay go up" means "Gay go down" the wide world o'er!)

"How far is St. Helena from the Emperor of France."
I cannot see, I cannot tell, the Crowns they dazzle so.
The Kings sit down to dinner, and the Queens stand up to dance.
(After open whether you may look for snow!)

"How far is St. Helena from the Capes of Trafalgar?"
A longish way, longish way,with ten more to run.
It's South across the water underneath a falling star.
(What you cannot finish you must leave undone!)

"How fair is St. Helena from the Beresina ice?"
An ill way,a chill way, the ice begins to crack.
But not so far for gentlemen who never took advice.
(When you can't go forward you must e'en come back!)

"How far is St. Helena from the field of Waterloo?"
A near way,a clear way,the ship will take you soon.
A pleasant place for gentlemen with little left to do.
(Morning never tries you till the afternoon!)

"How far from St. Helena to the Gate of Heaven's Grace?"
That no one knows, that no one knows, and no one ever will.
But fold your hands across your heart and cover up your face,
And after all your trapesings, child, lie still!

John Greenleaf Whittier - The Witch's Daughter poem

It was the pleasant harvest time,
When cellar-bins are closely stowed,
And garrets bend beneath their load,

And the old swallow-haunted barns
Brown-gabled, long, and full of seams
Through which the moted sunlight streams,

And winds blow freshly in, to shake
The red plumes of the roosted cocks,
And the loose hay-mow's scented locks

Are filled with summer's ripened stores,
Its odorous grass and barley sheaves,
From their low scaffolds to their eaves.

On Esek Harden's oaken floor,
With many an autmn threshing worn,
Lay the heaped ears of unhusked corn.

And thither came young men and maids,
Beneath a moon that, large and low,
Lit that sweet eve of long ago.

They took their places; some by chance,
And others by a merry voice
Or sweet smile guided to their choice.

How pleasantly the rising moon,
Between the shadow of the mows,
Looked on them through the great elm-boughs!

On sturdy boyhood sun-embrowned,
On girlhood with its solid curves
Of healthful strength and painless nerves!

And jests went round, and laughs that made
The house-dog answer with his howl,
And kept astir the barn-yard fowl;

And quaint old songs their fathers sung
In Derby dales and Yorkshire moors,
Ere Norman William trod their shores;

And tales, whose merry license shook
The fat sides of the Saxon thane,
Forgetful of the hovering Dane,—­

Rude plays to Celt and Cimbri known,
The charms and riddles that beguiled
On Oxus' banks the young world's child,—­

That primal picture-speech wherein
Have youth and maid the story told,
So new in each, so dateless old,

Recalling pastoral Ruth in her
Who waited, blushing and demure,
The red-ear's kiss of forfeiture.

But still the sweetest voice was mute
That river-valley ever heard
From lips of maid or throat of bird;

For Mabel Martin sat apart,
And let the hay-mow's shadow fall
Upon the loveliest face of all.

She sat apart, as one forbid,
Who knew that none would condescend
To own the Witch-wife's child a friend.

The seasons scarce had gone their round,
Since curious thousands thronged to see
Her mother at the gallows-tree;

And mocked the prison-palsied limbs
That faltered on the fatal stairs,
And wan lip trembling with its prayers!

Few questioned of the sorrowing child,
Or, when they saw the mother die;
Dreamed of the daughter's agony.

They went up to their homes that day,
As men and Christians justified
God willed it, and the wretch had died!

Dear God and Father of us all,
Forgive our faith in cruel lies,—­
Forgive the blindness that denies!

Forgive thy creature when he takes,
For the all-perfect love Thou art,
Some grim creation of his heart.

Cast down our idols, overturn
Our bloody altars; let us see
Thyself in Thy humanity!

Poor Mabel from her mother's grave
Crept to her desolate hearth-stone,
And wrestled with her fate alone;

With love, and anger, and despair,
The phantoms of disordered sense,
The awful doubts of Providence!

The school-boys jeered her as they passed,
And, when she sought the house of prayer,
Her mother's curse pursued her there.

And still o'er many a neighboring door
She saw the horseshoe's curved charm,
To guard against her mother's harm;

That mother, poor, and sick, and lame,
Who daily, by the old arm-chair,
Folded her withered hands in prayer;

Who turned, in Salem's dreary jail,
Her worn old Bible o'er and o'er,
When her dim eyes could read no more!

Sore tried and pained, the poor girl kept
Her faith, and trusted that her way,
So dark, would somewhere meet the day.

And still her weary wheel went round
Day after day, with no relief
Small leisure have the poor for grief.

So in the shadow Mabel sits;
Untouched by mirth she sees and hears,
Her smile is sadder than her tears.

But cruel eyes have found her out,
And cruel lips repeat her name,
And taunt her with her mother's shame.

She answered not with railing words,
But drew her apron o'er her face,
And, sobbing, glided from the place.

And only pausing at the door,
Her sad eyes met the troubled gaze
Of one who, in her better days,

Had been her warm and steady friend,
Ere yet her mother's doom had made
Even Esek Harden half afraid.

He felt that mute appeal of tears,
And, starting, with an angry frown,
Hushed all the wicked murmurs down.

"Good neighbors mine," he sternly said,
"This passes harmless mirth or jest;
I brook no insult to my guest.

"She is indeed her mother's child;
But God's sweet pity ministers
Unto no whiter soul than hers.

"Let Goody Martin rest in peace;
I never knew her harm a fly,
And witch or not, God knows not I.

"I know who swore her life away;
And as God lives, I'd not condemn
An Indian dog on word of them."

The broadest lands in all the town,
The skill to guide, the power to awe,
Were Harden's; and his word was law.

None dared withstand him to his face,
But one sly maiden spake aside
"The little witch is evil-eyed!

"Her mother only killed a cow,
Or witched a churn or dairy-pan;
But she, forsooth, must charm a man!"

Poor Mabel, in her lonely home,
Sat by the window's narrow pane,
White in the moonlight's silver rain.

The river, on its pebbled rim,
Made music such as childhood knew;
The door-yard tree was whispered through

By voices such as childhood's ear
Had heard in moonlights long ago;
And through the willow-boughs below.

She saw the rippled waters shine;
Beyond, in waves of shade and light,
The hills rolled off into the night.

She saw and heard, but over all
A sense of some transforming spell,
The shadow of her sick heart fell.

And still across the wooded space
The harvest lights of Harden shone,
And song and jest and laugh went on.

And he, so gentle, true, and strong,
Of men the bravest and the best,
Had he, too, scorned her with the rest?

She strove to drown her sense of wrong,
And, in her old and simple way,
To teach her bitter heart to pray.

Poor child! the prayer, begun in faith,
Grew to a low, despairing cry
Of utter misery: "Let me die!

"Oh! take me from the scornful eyes,
And hide me where the cruel speech
And mocking finger may not reach!

"I dare not breathe my mother's name
A daughter's right I dare not crave
To weep above her unblest grave!

"Let me not live until my heart,
With few to pity, and with none
To love me, hardens into stone.

"O God! have mercy on Thy child,
Whose faith in Thee grows weak and small,
And take me ere I lose it all!"

A shadow on the moonlight fell,
And murmuring wind and wave became
A voice whose burden was her name.

Had then God heard her? Had He sent
His angel down? In flesh and blood,
Before her Esek Harden stood!

He laid his hand upon her arm
"Dear Mabel, this no more shall be;
Who scoffs at you must scoff at me.

"You know rough Esek Harden well;
And if he seems no suitor gay,
And if his hair is touched with gray,

"The maiden grown shall never find
His heart less warm than when she smiled,
Upon his knees, a little child!"

Her tears of grief were tears of joy,
As, folded in his strong embrace,
She looked in Esek Harden's face.

"O truest friend of all'" she said,
"God bless you for your kindly thought,
And make me worthy of my lot!"

He led her through his dewy fields,
To where the swinging lanterns glowed,
And through the doors the huskers showed.

"Good friends and neighbors!" Esek said,
"I'm weary of this lonely life;
In Mabel see my chosen wife!

"She greets you kindly, one and all;
The past is past, and all offence
Falls harmless from her innocence.

"Henceforth she stands no more alone;
You know what Esek Harden is:
He brooks no wrong to him or his."

Now let the merriest tales be told,
And let the sweetest songs be sung
That ever made the old heart young!

For now the lost has found a home;
And a lone hearth shall brighter burn,
As all the household joys return!

Oh, pleasantly the harvest-moon,
Between the shadow of the mows,
Looked on them through the great elm-boughs!

On Mabel's curls of golden hair,
On Esek's shaggy strength it fell;
And the wind whispered, "It is well!

Bertolt Brecht - Elogio Al Aprendizaje poem

¡Aprende las cosas elementarias!
¡Para aquellos a quienes les ha llegado la hora nunca es demasadio tarde!
Aprende el abecedario. No bastará,
¡pero apréndolo! ¡No dejes que te desanimen!
¡Comienza! Debes saber todo.
Tienes que ser dirigente.
¡Aprende, hombre en el asilo!
¡Aprende, hombre en la prisión!
¡Aprende, mujer en la cocina!
¡Aprende, tú que tienes 60 años!
Tienes que ser dirigente.
¡Busca la esquela, tú que no tienes casa!

¡No tengas miedo de preguntar, camarada!
No dejes que te induzcan a nada.
¡Investiga por ti mismo!
Lo que no sepas tú mismo no lo conoces.
Examina los detalles a fondo;
eres tú él que paga las consequencias.
Pon tu dedo en cada detalle, pregunta: ¿Cómo llegó esto aqui?
Tienes que ser dirigente.

Maya Angelou - Momma Welfare Roll

Her arms semaphore fat triangles,
Pudgy HANDS bunched on layered hips
Where bones idle under years of fatback
And lima beans.

Her jowls shiver in accusation
Of crimes cliched by Repetition.
Her children, strangers
To childhood's TOYS, play
Best the games of darkened doorways,
Rooftop tag, and know the slick feel of
Other people's property.

Too fat to whore,
Too mad to work,
Searches her dreams for the
Lucky sign and walks bare-handed
Into a den of bereaucrats for her portion.

'They don't give me welfare.
I take it.'

Rudyard Kipling - Seal Lullaby

Oh! hush thee, my baby, the night is behind us
And black are the waters that sparkled so green.
The moon, O'er the combers, looks downward to find us
At rest in the hollows that rustle between.
Where billow meets billow, there soft by the pillow.
Oh, weary wee flipperling, curl at thy ease!
The storm shall not wake thee, no shark shall overtake thee
Asleep in the storm of slow-swinging seas.

Refusal - Maya Angelou Poem

Beloved,
In what other lives or lands
Have I known your lips
Your Hands
Your Laughter brave
Irreverent.
Those sweet excesses that
I do adore.
What surety is there
That we will meet again,
On other worlds some
Future time undated.
I defy my body's haste.
Without the promise
Of one more sweet encounter
I will not deign to die.

Onomatopoeia poems

"Onomatopoeia" might sound like a funny word in English. However, knowing the meaning of this funny word can lead us into discovering a universe of even funnier words. It is a known fact that language is a social convention and words are mere instruments invented by men to communicate facts, feelings, and ideas. Most of the times, nothing in the way a word sounds like bears any ressemblance to the object or action it refers to.

There’s nothing in the letters of the word „blue” that looks like blue, there’s nothing in the word „song” that sounds like a song. The only reason why we know what „blue” or „song” refer to is because we have learned their meaning. But what about when we say „meow”, „quack quack” or „woof woof”? Could we figure out what these words stand for without learning their meaning? Most probable, if we had a cat or a dog around.

An onomatopoeia is a word or a combination of words that imitates sounds from real life. These can be animal noises such as „meow”, „woof”, „quack”, „ribbit”, „cuckoo”, words suggesting an impact between two or more objects such as „bang”, „splash”, „boom”, „click”, „clang” or any other word suggesting a sound or an action accompanied by a sound („beep”, „buzz”, „hiccup”, etc.).

One would expect that onomatopoeias should be the same in all languages. Funny enough, different languages perceive the same sound in different ways, dependind on the phonetic structure of that particular language and on other factors. Therefore, although a cat is just a cat anywhere around the world, an English cat will say „meow”, a French one „miaou”, a Japanese one „nyan” and a Chinese „mao”. Of course, it’s not the cats who make different sounds, it’s people who interpret them differently.

The formation of words in imitation of sounds; a figure of speech in which the sound of a word is imitative of the sound of the thing which the word represents, for example, Boom, Clap and Poof!

(funnyrhymes.blogspot.com)

Here are some Onomatopoeia poems


Tick-tock goes the clock
after the boat hits the rock
and finds its way to the dock.

Vroom goes the car
Crack when you break the corn
Next thing you know a baby is born


examples of about Onomatopoeia poems


Paula’s hair looks like rats’ tails .
Oh that’s a simile
Esther estimated every elevation.
That’s alliteration, clearly
Ian’s head is a shed.
Call that a metaphor, my dear
All at once, whoosh, went the wind
Love that alliterative onomatopoeia

Dave is occupied in the wash room.
Euphemism, is what’s been penned
Verily I say, O wet pet
Is an odd ode spoke to a soaked sole friend
Could that be assonance just then and can the whole
Epigram, with imagery be acrostic in some way
So that’s all the POETICAL DEVICES , there’s nothing more to say
Jon Bratton 2009

80

NaPoWriMo Report

My book will be done when they pry it from my hands. And I suppose your assertion is true for project-based fellowships, but some fellowships are merit ...


love poems

45

Love reminds you that nothing else matters.

- Amy Bushell -

44
The best things in life
can never be kept;
They must be given away.
A Smile, a Kiss, and Love

- Tony Farrar -

78

Just Write

25 Jul 2007 ... “The more important virtue for a writer, I believe, is self-forgiveness. Because your writing will always disappoint you. ...


love poems

45

Love reminds you that nothing else matters.

- Amy Bushell -

44
The best things in life
can never be kept;
They must be given away.
A Smile, a Kiss, and Love

- Tony Farrar -

81

Poetry Prompts

Hi Deborah,. Just happened upon your site from 32 Poems. Good post — and brave. *grin* Hey, I don't know if she still is, but a short while ago Amy King


love poems

45

Love reminds you that nothing else matters.

- Amy Bushell -

44
The best things in life
can never be kept;
They must be given away.
A Smile, a Kiss, and Love

- Tony Farrar -

79

VCCA Fellowship

10 Jan 2009 ... Congratulations on the residency and fellowship! Your ankle story reminds me of when I scratched my retina before a music competion. ...


love poems

45

Love reminds you that nothing else matters.

- Amy Bushell -

44
The best things in life
can never be kept;
They must be given away.
A Smile, a Kiss, and Love

- Tony Farrar -

77

awp conference in chicago

What Really Happened at AWP. by deborah on February 15, 2009. 32 Poems Gives Away FREE Issue at AWP. by deborah on February 9, 2009.

love poems

45

Love reminds you that nothing else matters.

- Amy Bushell -

44
The best things in life
can never be kept;
They must be given away.
A Smile, a Kiss, and Love

- Tony Farrar -

76

32 poems poetry magazine

Alison Stine's Many Hats: An Interview by Serena Agusto-Cox. by deborah on February 23, 2009. 32 Poems Featured on Verse Daily. by deborah on February 21, ...

75

Interlude

Thanks for stopping by! If you're new here and want to keep up on poetry and 32 Poems, you may want to subscribe to my RSS feed. ...

74

Charlottesville

Deborah,. I can remember every bookstore where I purchased a book, starting with the Modern Library Editions that I bought for $1.50 on sale in the back of ...

73

Fugazi

Fugazi. by deborah on April 3, 2008. Thanks for stopping by! If you're new here and want to keep up on poetry and 32 Poems, you may want to subscribe to my ...

72

MFA

True, the links don't benefit you, but they don't hurt you either. The search engines know you can't control who links to you. But this is funny. ...

71

Morning

Enjoyed the poem, Deborah. An accurate touch with the this and that of the day. Especially liked this stanza: how much of your life you've spent ...

70

sewanee writers' conference

Things to Take to a Writer's Conference. by deborah on July 10, 2009. sample-1.
jpg. Sign Up for the Occasional Newsletter from 32 Poems ...

69

no tell motel

Posts tagged as: no tell motel. No Tell Motel. by deborah on June 29, 2009. sample-3.jpg. Sign Up for the Occasional Newsletter from 32 Poems ...

68

Those Funny Poets

From the category archives: Those Funny Poets. Impersonate Edna St. Vincent Millay Day. by deborah on April 29, 2008. The Futility Review ...

67

torched verse ends

Posts tagged as: torched verse ends. Steve Schroeder Interview by Serena Agusto-
Cox. by deborah on June 22, 2009.

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Good Poetry News

University of Iowa Won't Offer Manuscripts Via Internet. by deborah on March 18, 2008. Interview on Women of the Web. by deborah on October 20, 2007 ...

Search Engine Marketing

Search Engine Marketing

Social Networking Site for Artists. by deborah on November 20, 2007. Ask. com, the Beach and Other Pleasures. by deborah on November 12, 2007 ...

interview with poet

interview with poet

Posts tagged as: interview with poet. Interview with Sidney Wade by Serena Agusto-Cox. by deborah on May 11, 2009.

Interviews with Poets

Interviews with Poets

Erika Meitner Discusses Peeps, Virginia and Yi-Fu Tuan: An Interview by Serena Agusto-Cox. by deborah on May 5, 2009 ...